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Acolyte, v. 2, issue 4, whole no. 8, Fall 1944
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tionally sharp blows; severing many fragments from his aggressor, who continued to fight with all his remaining members. The entire affair was reported by Mr. W. Lablache Talcum, his copy being revised by Horse Power Hateart. Throughout the event notes were taken by M. le Comte d'Erlette for a 200 volume novel-cycle in the Proustian manner, with illustrations by Mrs. Blunderage. Mr. J. Caesar Warts frequently interviewed both battlers and all the more important spectators; obtaining as souvenirs (after a spirited struggle with the Effjay) an autographed quarter-rib of Two-Gun's, in an excellent state of preservation, and three finger-nails from the Wild Wolf. Lighting effects were supplied by the Electrical Testing Laboratiories under the supervision of H. Kanebrake. The fourth round was prolonged eight hours at the request of the official artist, Mr. H. Wanderer, whowished to put certain shadings of fantasy into his representation of the Wolf's depleted physiognomy, which included several supernumerary details supplied by the imagination. The climax came in round five, when the Texas Tearer's left passed entirely through Battling Bernie's face and brought both sluggers to the mat. This was adjudged a finish by the referee -- Robertieff Essovitch Karovsky, the Muscovite Ambassador -- who, in view of the Shokan Shocker's gory state, declared the latter to be essentially liquidated according to the Marxian ideology. The Wild Wolf entered an official protest, which was promptly overruled on the ground that all the points necessary to technical death were theoretically present. The gonfalons sounded a fanfare of triumph for the victor, while the technically vanquished was committed to the care of the offical mortician, Mr. Teaberry Quince. During the ceremonies the alleged corpse strolled away for a bite of bologna, but a tasteful cenotaph was supplied to furnish a focus for the rites. The funeral procession was headed by a gaily bedecked hearse driven by Malik Taus, the Peacock Sultan, who sat on the box in West Point uniform and turban, and steered an expert course over several hedges and stone walls. About half way to the cemetary the cortege was rejoined by the corpse, who sat beside Sultan on the box and finished his bologna sandwich, his ample girth having made it impossible to enter the hastily selected cenotaph. An appropriate dirge was rendered by Maestro Sing Lee Bawledout on the piccolo: Messrs. De Silva, Brown,and Henderson's celebrated aria, "Never Swat a Fly", from the old cantata "Just Imagine", being chosen for that occasion. The only detail omitted from the funeral was the interment, which was interrupted by the disconcerting news that the official gate-taker -- the celebrated financier and Ivar K. Rodent, Esq. -- had absconded with the entire proceeds. Mr. Talcum's report of the event, illustrated by the well-known artist Klarkash-Ton (who esoterically depicted the fighters as boneless fungi) was printed--after repeated rejections by the discriminating editor of the Windy City Grab-Bag--as a broadside by W. Peter Chef. This, through the efforts of Otis Adelbert Kline, was finally placed on sale in the bookshop of Smearum & Weep, three and a half copies finally being disposed of through the alluring catalogue description supplied by Samuelus Philanthropus, Esq. In response to this wide demand, the text was finally reprinted by Mr. De Merit in the polychromatic pages of Wurst's Weakly Americana under the title "Has Science Been Outmoded? or, The dwellers in the Garage.' No copies, however, remain in circulation; since all which were not snapped up by fanatical bibliophiles were seized by the police in connection with the libel suit of the Wild Wolf, who was, after several appels ending with the World Court, adjudged not only officially alive but the clear winner of the combat.
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tionally sharp blows; severing many fragments from his aggressor, who continued to fight with all his remaining members. The entire affair was reported by Mr. W. Lablache Talcum, his copy being revised by Horse Power Hateart. Throughout the event notes were taken by M. le Comte d'Erlette for a 200 volume novel-cycle in the Proustian manner, with illustrations by Mrs. Blunderage. Mr. J. Caesar Warts frequently interviewed both battlers and all the more important spectators; obtaining as souvenirs (after a spirited struggle with the Effjay) an autographed quarter-rib of Two-Gun's, in an excellent state of preservation, and three finger-nails from the Wild Wolf. Lighting effects were supplied by the Electrical Testing Laboratiories under the supervision of H. Kanebrake. The fourth round was prolonged eight hours at the request of the official artist, Mr. H. Wanderer, whowished to put certain shadings of fantasy into his representation of the Wolf's depleted physiognomy, which included several supernumerary details supplied by the imagination. The climax came in round five, when the Texas Tearer's left passed entirely through Battling Bernie's face and brought both sluggers to the mat. This was adjudged a finish by the referee -- Robertieff Essovitch Karovsky, the Muscovite Ambassador -- who, in view of the Shokan Shocker's gory state, declared the latter to be essentially liquidated according to the Marxian ideology. The Wild Wolf entered an official protest, which was promptly overruled on the ground that all the points necessary to technical death were theoretically present. The gonfalons sounded a fanfare of triumph for the victor, while the technically vanquished was committed to the care of the offical mortician, Mr. Teaberry Quince. During the ceremonies the alleged corpse strolled away for a bite of bologna, but a tasteful cenotaph was supplied to furnish a focus for the rites. The funeral procession was headed by a gaily bedecked hearse driven by Malik Taus, the Peacock Sultan, who sat on the box in West Point uniform and turban, and steered an expert course over several hedges and stone walls. About half way to the cemetary the cortege was rejoined by the corpse, who sat beside Sultan on the box and finished his bologna sandwich, his ample girth having made it impossible to enter the hastily selected cenotaph. An appropriate dirge was rendered by Maestro Sing Lee Bawledout on the piccolo: Messrs. De Silva, Brown,and Henderson's celebrated aria, "Never Swat a Fly", from the old cantata "Just Imagine", being chosen for that occasion. The only detail omitted from the funeral was the interment, which was interrupted by the disconcerting news that the official gate-taker -- the celebrated financier and Ivar K. Rodent, Esq. -- had absconded with the entire proceeds. Mr. Talcum's report of the event, illustrated by the well-known artist Klarkash-Ton (who esoterically depicted the fighters as boneless fungi) was printed--after repeated rejections by the discriminating editor of the Windy City Grab-Bag--as a broadside by W. Peter Chef. This, through the efforts of Otis Adelbert Kline, was finally placed on sale in the bookshop of Smearum & Weep, three and a half copies finally being disposed of through the alluring catalogue description supplied by Samuelus Philanthropus, Esq. In response to this wide demand, the text was finally reprinted by Mr. De Merit in the polychromatic pages of Wurst's Weakly Americana under the title "Has Science Been Outmoded? or, The dwellers in the Garage.' No copies, however, remain in circulation; since all which were not snapped up by fanatical bibliophiles were seized by the police in connection with the libel suit of the Wild Wolf, who was, after several appels ending with the World Court, adjudged not only officially alive but the clear winner of the combat.
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