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Emil L. Rinderspacher selected papers, 1970-1971
Refocus '71 Page 15
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hero who feels at odds with his parents, his peers, and his world. Dean and his friends come from well-to-do middle class families. Yet, they feel that same out of touch ennui that youngsters from poorer neighborhoods feel. Consequently, they create their own world in which the boys vie with each other for status by undergoing hair raising exploits to prove their courage and worth. It's a film that may help teens to better understand themselves and helps parents to understand the sort of things youngsters need to mature properly. THE RED BADGE OF COURAGE 951 Thursday/ March 25/ 4 and 9 p.m. Illinois Room Friday/ March 26/ 7 p.m. Illinois room Directed by John Huston The background of A Walk With Love and Death can be found in films like this one. Here, again, youth and war confront one another, and the landscape of desolation scars the innocence of man. This fine motion picture has been unjustly deemed a failure as the result of the very naive analysis of its production by Lillian Ross. RED DUST Sunday/ March 24/ 4 p.m. Ballroom Directed by Victor Fleming; Starring Clark Gable, Jean Harlow. Plantation owner (Clark gable) tangles with blonde tramp (Harlow) and a lady (Mary Astor) who is not too faithful to husband (Gene Raymond) RIDE THE HIGH COUNTRY 1962 Tuesday/ March 23/ 9 p.m. Ballroom Directed by Sam Peckinpah; Produced by Richard E. Lyons; Script written by N.B. Stone, Jr.; Camera by Lucien Ballard; Edited by Frank Santillio; Music directed by George Bassman; Starring Randolph Scott, Joel McCrea, Mariette Hartley, Ron Starr, Edgar Buchanan, R.G Armstrong, Jenie Jackson, John Anderson. Three men down on their luck - an aging ex-marshal, a carnival con man, and his assistant - team up and take on the job of transporting hold from a California mining town to a bank across the High Sierras. Two of the men have every intention of robbing the marshal at their first opportunity, but all plans are upset when the trio assumes responsibility for a naive girl who joins them on the trail. THE ST. VALENTINES DAY MASSACRE 1968 Friday/March 26/ 7 p.m. Ballroom Directed by Roger Corman. The most successful current blends of gangster and film noir illustrates the reshaping of the gangster film to conform to popular tastes. Corman's film noir preoccupations are to be found in his visual style and in the building up of obsessively disquieting detail. For the rest, the film has a documentary foundation significantly in keeping with its style. THE SEVEN YEAR ITCH 1955 Monday/ March 22/ 7 p.m. Illinois Room Tuesday/March 23/ 9 p.m. Illinois Room. Directed by Billy Wilder; Screenplay by George Axelrod and Billy Wilder; Based on the play by George Axlerod; Starring Marilyn Monroe, Tom Ewell, Evelyn Keyes, Sonny Tufts, Victor Moore, Carolyn Jones. A bright version of the Broadway play on the temptations of summer bachelors. When a New York publisher's wife goes to Maine for the summer, he finds himself succumbing to forbidden liquor and cigarettes and dreaming of girls. The moment when Monroe descends through the ceiling is one of the strongest intimations of the divine that America cinema has produced. By this time it was clear that Monroe was managing to attain godhead by means of the most mundanely secular situations (gold digging, petty adultery) How could this be? IT is significant that the most prominent exploiter of sex during the fifties should have been a cynical director of social comedies. A lot of bitterness is here expended upon the subject as well as a lot of keen wit. Marilyn Monroe, of course became the decade's reigning sex symbol. STERN, STEWART Saturday March 20/ 1 p.m. Illinois Room Saturday/ March 20/ 3:30 p.m. Lucas-Dodge Room Sunday/March 21/ 7 p.m. Ballroom Mr. Stern, guest lecturer for Refocus 71 and graduate of The University of Iowa, is a screenwriter who has worked in various film genres and with many fine directors as one can see from the following list of his films: Teresa, 1950, Screenplay, original story with Alfred Hayes, MGM. Directed by Fred Zinnemann, Produced by Arthur Loew, Starring Pier Angeli, John Ericson, Patricia Collinge. Academy Award Nomination, Best Original Story. Benjy, 1950. Story and screenplay, Los Angeles Crippled Children's Foundation. Documentary. Produced and directed by Fred Zinnemann, Starring Henry Fonda, N Brand. Academy Award, Best Documentary Permanent Collection, The Museum of Modern Art. Rebel Without a Cause, 1955. Screenplay, WB. Produced by David Weisbart. Directed by Nicholas Ray. Starring James Dean, Natalie Wood, Sal Mineo, Cory Allen. The Rack, 1956. Screenplay, MGM, Produced by Arthur Loew. Directed by Arnold Laven. Starring Paul Newman, Walter Pidgeon, Anne Francis, Lee Marvin. The James Dean Story, 1958. Story and screenplay, WB. Documentary. Produced by George W. George . Directed by Robert Altman. The Outsider, 1962. Screenplay, U-I Produced by Sy Bartlett. Directe by Delbert Mann. Starring Tony Curtis. The Ugly American, 1963. Screen story and screenplay, U-I. Produced and directed by George Englund. Starring Marlon Brando, Ejii Okada, Sandra Churc. Writers Guild Nomination, Best Screenplay. Rachel, Rachel, 1968 Screenplay, WB. Produced and directed by Paul Newman. Starring Joanne Woodward, Estelle Parsons, Kate Harrington, James Olson, Donald Moffat, Frank Corsaro. Writers Guild Nomination, Best Screenplay; Academy Award Nomination, Best Screenplay. The Last Movie, 1971. Screenplay, original story with Dennis Hopper, U-I Current Assignment: The Death of the Snow Queen, 1972 Original story and screenplay, Col. Produced by Ray Stark. Directed by Herb Ross. Starring Joanne Woodward. WHITE, MINOR Thursday/ March 25/ 2 p.m. Illinois Room Friday/ March 26/ 2 p.m. Ballroom Free Minor White, author of Mirrors, Messages and Manifestations, and Zone System Manual, editor of Aperture, poet and Professor of Photography at the Massachusetts Institute of Technology in Cambridge Massachusetts, will lecture on the subject "Photography and Creative Growth" Minor White's photographs envision poetic mysticism. They reflect the serene spirit of Zen and the technical virtuosity of a master photographer. His lucid and sensitive articulation of the media denotes a man who perceives beyond the crust of superficiality to the innermost depths of vision. Minor White has made and continues to make lasting contributions to the field of photography.
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hero who feels at odds with his parents, his peers, and his world. Dean and his friends come from well-to-do middle class families. Yet, they feel that same out of touch ennui that youngsters from poorer neighborhoods feel. Consequently, they create their own world in which the boys vie with each other for status by undergoing hair raising exploits to prove their courage and worth. It's a film that may help teens to better understand themselves and helps parents to understand the sort of things youngsters need to mature properly. THE RED BADGE OF COURAGE 951 Thursday/ March 25/ 4 and 9 p.m. Illinois Room Friday/ March 26/ 7 p.m. Illinois room Directed by John Huston The background of A Walk With Love and Death can be found in films like this one. Here, again, youth and war confront one another, and the landscape of desolation scars the innocence of man. This fine motion picture has been unjustly deemed a failure as the result of the very naive analysis of its production by Lillian Ross. RED DUST Sunday/ March 24/ 4 p.m. Ballroom Directed by Victor Fleming; Starring Clark Gable, Jean Harlow. Plantation owner (Clark gable) tangles with blonde tramp (Harlow) and a lady (Mary Astor) who is not too faithful to husband (Gene Raymond) RIDE THE HIGH COUNTRY 1962 Tuesday/ March 23/ 9 p.m. Ballroom Directed by Sam Peckinpah; Produced by Richard E. Lyons; Script written by N.B. Stone, Jr.; Camera by Lucien Ballard; Edited by Frank Santillio; Music directed by George Bassman; Starring Randolph Scott, Joel McCrea, Mariette Hartley, Ron Starr, Edgar Buchanan, R.G Armstrong, Jenie Jackson, John Anderson. Three men down on their luck - an aging ex-marshal, a carnival con man, and his assistant - team up and take on the job of transporting hold from a California mining town to a bank across the High Sierras. Two of the men have every intention of robbing the marshal at their first opportunity, but all plans are upset when the trio assumes responsibility for a naive girl who joins them on the trail. THE ST. VALENTINES DAY MASSACRE 1968 Friday/March 26/ 7 p.m. Ballroom Directed by Roger Corman. The most successful current blends of gangster and film noir illustrates the reshaping of the gangster film to conform to popular tastes. Corman's film noir preoccupations are to be found in his visual style and in the building up of obsessively disquieting detail. For the rest, the film has a documentary foundation significantly in keeping with its style. THE SEVEN YEAR ITCH 1955 Monday/ March 22/ 7 p.m. Illinois Room Tuesday/March 23/ 9 p.m. Illinois Room. Directed by Billy Wilder; Screenplay by George Axelrod and Billy Wilder; Based on the play by George Axlerod; Starring Marilyn Monroe, Tom Ewell, Evelyn Keyes, Sonny Tufts, Victor Moore, Carolyn Jones. A bright version of the Broadway play on the temptations of summer bachelors. When a New York publisher's wife goes to Maine for the summer, he finds himself succumbing to forbidden liquor and cigarettes and dreaming of girls. The moment when Monroe descends through the ceiling is one of the strongest intimations of the divine that America cinema has produced. By this time it was clear that Monroe was managing to attain godhead by means of the most mundanely secular situations (gold digging, petty adultery) How could this be? IT is significant that the most prominent exploiter of sex during the fifties should have been a cynical director of social comedies. A lot of bitterness is here expended upon the subject as well as a lot of keen wit. Marilyn Monroe, of course became the decade's reigning sex symbol. STERN, STEWART Saturday March 20/ 1 p.m. Illinois Room Saturday/ March 20/ 3:30 p.m. Lucas-Dodge Room Sunday/March 21/ 7 p.m. Ballroom Mr. Stern, guest lecturer for Refocus 71 and graduate of The University of Iowa, is a screenwriter who has worked in various film genres and with many fine directors as one can see from the following list of his films: Teresa, 1950, Screenplay, original story with Alfred Hayes, MGM. Directed by Fred Zinnemann, Produced by Arthur Loew, Starring Pier Angeli, John Ericson, Patricia Collinge. Academy Award Nomination, Best Original Story. Benjy, 1950. Story and screenplay, Los Angeles Crippled Children's Foundation. Documentary. Produced and directed by Fred Zinnemann, Starring Henry Fonda, N Brand. Academy Award, Best Documentary Permanent Collection, The Museum of Modern Art. Rebel Without a Cause, 1955. Screenplay, WB. Produced by David Weisbart. Directed by Nicholas Ray. Starring James Dean, Natalie Wood, Sal Mineo, Cory Allen. The Rack, 1956. Screenplay, MGM, Produced by Arthur Loew. Directed by Arnold Laven. Starring Paul Newman, Walter Pidgeon, Anne Francis, Lee Marvin. The James Dean Story, 1958. Story and screenplay, WB. Documentary. Produced by George W. George . Directed by Robert Altman. The Outsider, 1962. Screenplay, U-I Produced by Sy Bartlett. Directe by Delbert Mann. Starring Tony Curtis. The Ugly American, 1963. Screen story and screenplay, U-I. Produced and directed by George Englund. Starring Marlon Brando, Ejii Okada, Sandra Churc. Writers Guild Nomination, Best Screenplay. Rachel, Rachel, 1968 Screenplay, WB. Produced and directed by Paul Newman. Starring Joanne Woodward, Estelle Parsons, Kate Harrington, James Olson, Donald Moffat, Frank Corsaro. Writers Guild Nomination, Best Screenplay; Academy Award Nomination, Best Screenplay. The Last Movie, 1971. Screenplay, original story with Dennis Hopper, U-I Current Assignment: The Death of the Snow Queen, 1972 Original story and screenplay, Col. Produced by Ray Stark. Directed by Herb Ross. Starring Joanne Woodward. WHITE, MINOR Thursday/ March 25/ 2 p.m. Illinois Room Friday/ March 26/ 2 p.m. Ballroom Free Minor White, author of Mirrors, Messages and Manifestations, and Zone System Manual, editor of Aperture, poet and Professor of Photography at the Massachusetts Institute of Technology in Cambridge Massachusetts, will lecture on the subject "Photography and Creative Growth" Minor White's photographs envision poetic mysticism. They reflect the serene spirit of Zen and the technical virtuosity of a master photographer. His lucid and sensitive articulation of the media denotes a man who perceives beyond the crust of superficiality to the innermost depths of vision. Minor White has made and continues to make lasting contributions to the field of photography.
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