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Fantasy Fan, v. 1, issue 8, April 1934
Page 127
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April, 1934, THE FANTASY FAN 127 of genuine terror were truly touched with no clumsy hand. A nobleman on a dark and lonely moor, attracted by a tolling bell and distant light, enters a strange and ancient turreted castle whose doors open and close and whose bluish will-o'-the-wisps lead up mysterious staircses toward dead hands and animated black statues. A coffin with a dead lady, whom Sir Bertrand kisses, is finally reached; and upon the kiss, the scene dissolves to give place to a splendid apartment where the lady, restored to life, holds a banquet in honour of her rescuer. Walpole admired this tale, though he accorded less respect to an even more prominent off-spring of his Otranto—The Old English Baron, by Clara Reeve, published in 1777. Truly enough, this tale lacks the real vibration to the note of outer darkness and mystery which distinguishes Mrs. Barbauld's fragment and though less crude than Walpole's novel, and more artistically economical of horror in its possession of only one spectral figure, it is nevertheless too definitely insipid for greatness. Here again we have the virtuous heir to the castle disguised as a peasant and restored to his heritage through the ghost of his father; and here again we have a case of wide popularity leading to many editions, dramtizations, and ultimate transalation into French. Miss Reeve wrote another weird novel, unfortunately unpublished and lost. continued next month. Your Views (continued from page 124) come back to the normal world, I'm glad that I am what I am. It takes real intelligence to write something that is not known to the general populace. I read weird tales for variety. I get a bit tired of the general run of stories found in sensible magazines." —Gertrude Hemken "Just what is a normal mind? This pertains, I think, to the commonly accepted norms in vogue at any specified time in history. Even in different communities, what is considered normal in one is sometimes abnormal in others. This must be constantly kept in mind. On the other hand, how many people are what you might call 'normal'? Not many, I imagine. The ones that are probably the most utterly boring, stupid, lifeless cretures that roam this planet are the normal ones. Also, please remember that when a person dislikes something he (or she) usually says it's distasteful to a 'normal' mind." —Lester Anderson Now, fans, write this department immediately and tell us who your favorite author is and what quality in his work puts him at the head of your list. Material received by us before April 22nd will be used in our May issue. Make your contributions brief and to the point—but be sure to send in your entry! Subscribe to TFF
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April, 1934, THE FANTASY FAN 127 of genuine terror were truly touched with no clumsy hand. A nobleman on a dark and lonely moor, attracted by a tolling bell and distant light, enters a strange and ancient turreted castle whose doors open and close and whose bluish will-o'-the-wisps lead up mysterious staircses toward dead hands and animated black statues. A coffin with a dead lady, whom Sir Bertrand kisses, is finally reached; and upon the kiss, the scene dissolves to give place to a splendid apartment where the lady, restored to life, holds a banquet in honour of her rescuer. Walpole admired this tale, though he accorded less respect to an even more prominent off-spring of his Otranto—The Old English Baron, by Clara Reeve, published in 1777. Truly enough, this tale lacks the real vibration to the note of outer darkness and mystery which distinguishes Mrs. Barbauld's fragment and though less crude than Walpole's novel, and more artistically economical of horror in its possession of only one spectral figure, it is nevertheless too definitely insipid for greatness. Here again we have the virtuous heir to the castle disguised as a peasant and restored to his heritage through the ghost of his father; and here again we have a case of wide popularity leading to many editions, dramtizations, and ultimate transalation into French. Miss Reeve wrote another weird novel, unfortunately unpublished and lost. continued next month. Your Views (continued from page 124) come back to the normal world, I'm glad that I am what I am. It takes real intelligence to write something that is not known to the general populace. I read weird tales for variety. I get a bit tired of the general run of stories found in sensible magazines." —Gertrude Hemken "Just what is a normal mind? This pertains, I think, to the commonly accepted norms in vogue at any specified time in history. Even in different communities, what is considered normal in one is sometimes abnormal in others. This must be constantly kept in mind. On the other hand, how many people are what you might call 'normal'? Not many, I imagine. The ones that are probably the most utterly boring, stupid, lifeless cretures that roam this planet are the normal ones. Also, please remember that when a person dislikes something he (or she) usually says it's distasteful to a 'normal' mind." —Lester Anderson Now, fans, write this department immediately and tell us who your favorite author is and what quality in his work puts him at the head of your list. Material received by us before April 22nd will be used in our May issue. Make your contributions brief and to the point—but be sure to send in your entry! Subscribe to TFF
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