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Nile Kinnick correspondence, March-October 1943

1943-04-05: Page 02

"My Heart Leaps Up When I Behold," " I Wandered Lonely as a Cloud," "Perfect Woman," "The World is too Much With Us," "It is a Beautiful Evening," Scott's "Lochinvar " and "Patriotism," Byron's "She Walks in Beauty," Keats' "Bright Star," Emerson's "Goodbye," Whittier's "Barefoot Boy," and "Barbara Fritchie," Poe's "The Raven," "Ulalume," "Annabel Lee," Tennyson's "Sweet and Low," "The Charge of the Light Brigade," "Flower in the Crannied Wall," "Break, Break, Break," "Crossing the Bar," Browning's "Song from Pippa Passes," "Home Thoughts from Abroad," "Meeting at Night,' Whitman's "O Captain, My Captain," Arnold's "Dover Beach," Henley's "Invictus," Stevenson's "Romance" & "Requiem," Markham's "The Man with the Hoe," Wilde's "The Ballad of Reading Gaol," "The Harlot's House," Kipling's "Danny Deever," "Mandalay," "If," "Recessional," Robinson's "Richard Cory," Masters'  "John Hancock Otis," from his Spoon River Anthology; Frost's "Birches," and "Stopping by Woods on a Snowy Evening," Masefield's "The West Wind," Sandburg's "Chicago," "Fog," "Grass," Lindsay's "Abraham Lincoln Walks at Midnight," Noyes "The Highwayman," Kilmer's "The Trees," Brooke's "The Soldier," Benet's "The Ballad of William Sycamore." These are the poems in this little volume which I turn to very frequently, and I enjoy them all. However, I think I like Longfellow best of all. He is always simple and easy to understand and writes of sentiments and situations dear to my heart. In this edition

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"My Heart Leaps Up When I Behold," " I Wandered Lonely as a Cloud," "Perfect Woman," "The World is too Much With Us," "It is a Beautiful Evening," Scott's "Lochinvar " and "Patriotism," Byron's "She Walks in Beauty," Keats' "Bright Star," Emerson's "Goodbye," Whittier's "Barefoot Boy," and "Barbara Fritchie," Poe's "The Raven," "Ulalume," "Annabel Lee," Tennyson's "Sweet and Low," "The Charge of the Light Brigade," "Flower in the Crannied Wall," "Break, Break, Break," "Crossing the Bar," Browning's "Song from Pippa Passes," "Home Thoughts from Abroad," "Meeting at Night,' Whitman's "O Captain, My Captain," Arnold's "Dover Beach," Henley's "Invictus," Stevenson's "Romance" & "Requiem," Markham's "The Man with the Hoe," Wilde's "The Ballad of Reading Gaol," "The Harlot's House," Kipling's "Danny Deever," "Mandalay," "If," "Recessional," Robinson's "Richard Cory," Masters' "John Hancock Otis," from his Spoon River Anthology; Frost's "Birches," and "Stopping by Woods on a Snowy Evening," Masefield's "The West Wind," Sandburg's "Chicago," "Fog," "Grass," Lindsay's "Abraham Lincoln Walks at Midnight," Noyes "The Highwayman," Kilmer's "The Trees," Brooke's "The Soldier," Benet's "The Ballad of William Sycamore." These are the poems in this little volume which I turn to very frequently, and I enjoy them all. However, I think I like Longfellow best of all. He is always simple and easy to understand and writes of sentiments and situations dear to my heart. In this edition